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IMPACTING OUR 
STUDENTS OF TODAY
​IN A POSITIVE WAY
K2 EFFECT Course home Lesson 1 Lesson 2 Camera Basics Lesson 3 Lesson 4

BEFORE LESSON 3

Camera Basics

Aperture, shutter speed, and ISO — the three dials that control every photo. Read it, then pass the quiz at the bottom to unlock Lesson 3.

In Lesson 2, you learned your pupil already does this instinctively — opening wide in the dark, shrinking in bright light. Your camera has three manual controls that do the same job, on purpose. Get comfortable with these three and you're no longer just pointing and hoping.

Aperture (f-stop)

THE CAMERA'S PUPIL

The opening in the lens that lets light through — the mechanical version of the pupil you studied in Lesson 2. It's measured in f-stops: f/1.4, f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16, f/22.

The confusing part: a lower number means a bigger opening. A higher number means a smaller opening.

f/1.4
f/2.8
f/5.6
f/11
f/22
LOW F-NUMBER

More light in. Blurry background (shallow depth of field). Good for portraits.

HIGH F-NUMBER

Less light in. Everything sharp (deep depth of field). Good for landscapes.

Shutter Speed

HOW LONG THE LIGHT GETS IN

How long the sensor stays open to light — measured in fractions of a second: 1/1000, 1/500, 1/250, 1/125, 1/60, 1/30, 1/15, all the way to a full second or longer.

FAST SHUTTER

Freezes motion. Less light in. Good for sports, kids, pets.

SLOW SHUTTER

Shows motion as blur. More light in. Needs a steady hand or a tripod.

Rule of thumb: handheld, avoid going slower than about 1/60 — below that, your own hands start to blur the shot.

ISO

HOW SENSITIVE THE SENSOR IS

How sensitive the sensor is to the light it receives — measured in numbers: 100, 200, 400, 800, 1600, 3200, and up.

LOW ISO (100–200)

Cleanest image. Needs more available light.

HIGH ISO (1600+)

Works in dim light. Adds visible grain/noise.

The Exposure Triangle

THEY ALL WORK TOGETHER

All three settings combine to create one exposure. Change one, and you'll often need to adjust another to compensate.

Example: shooting a portrait in bright sun with a wide aperture (f/1.8) to blur the background lets in a lot of light. To avoid an overexposed (too bright) photo, you'd compensate with a faster shutter speed and/or a lower ISO.

Quick Check

Answer all five, then check your work. You need 4 out of 5 to unlock Lesson 3.

1. To blur the background behind a portrait, you want a…
2. Which shutter speed will freeze a fast-moving subject best?
3. What does raising your ISO actually do?
4. A photographer shoots a landscape at f/16. Why?
5. Shooting handheld indoors in dim light, which is riskiest for a blurry photo from shaky hands?
← Lesson 2: Exposure & the Pupil Lesson 3: Composition →
K2 Effect · Photography Course
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